At the end of last year, when I went back to Japan,
I sold off the mountain of books my mother had owned.
And from between those books, a single sheet of paper fluttered out.
It was a children’s poem written by Michio Mado,
hand-copied by my mother.
I brought it back with me to the Netherlands,
framed it, and now it hangs on my wall.
The bear
Spring is here
Bear opened his eyes—
was thinking, kind of slow.
The flowers are dandelions, I know...
But hmm, who am I?
Who am I?
Spring is here
Bear was awake
was walking slowly to the stream.
He saw a face so grand in the water’s gleam:
“Oh! I’m Bear—that’s who I am.”
That feels grand.
Michio Mado
The other day, I sent a message to my mother’s mobile phone:
“Hi Mom, how are you?”
Not that I really expected a reply.
To my surprise, she wrote back.
“Same as always.”
I was so happy.
I replied,
“Well, you’re taking it easy. I envy you.”
“I’ve been super busy with work. Every day is a lot.”
Then my mother said:
“Where am i, ...”
I realized—this will probably start happening more often now.
That she’ll be lost, not knowing where she is,
and I’ll be far away, unable to reach out and take her hand.
I told her the name of the facility, and said,
“It’s a nursing care home.” I answered correctly and precisely.
But now I think—
I should have said,
“You’re in a dark forest.”
If it had been the mother I once knew,
she would have immediately recognized it as a quote from Dante’s Divine Comedy.
She always loved that kind of shallow yet intellectual black humor.
She would have brightened up in an instant and laughed out loud:
“How awful of you!”
I truly regret saying “nursing care home.”
There are expressions in this world that are far more despairing in tone than “a dark forest.”
In a sense, she is a bear in hibernation.
Still a bear.
She may be dazed, forgetting who she is,
but her true nature—that she is a bear—has not changed one bit.
If only she could see her face in the water,
she would surely remember herself.
I want to be that river for her.
To me, my mother will always be the bear with the grand face.
What matters is that I don’t forget it.
It’s not quite a belief,
but something close to it—
and I cling to it with a heart that feels like it might cry.
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